2016 Grateful 20

Back in 2001, when I had a feeling that my time in the USA might be coming to a close, I took a road trip with the inimitable RosaB. On our way from somewhere to somewhere in the State of Alabama, we passed a billboard for the Ave Maria Grotto in Cullman. Then we passed a second. By the time we hit upon the third, the advertising had done its job and we left the highway to see what the fuss was about.

Built by a Bavarian Benedictine monk, he himself a little on the small side, too, the four acres is known far and wide as Jerusalem in Miniature. Not far into the twentieth century, Br Joseph’s job was to man the pumps and watch the oil gauges at the Abbey’s pump house, a mind-numbing task he did for 17 hours a day, 7 days a week. To keep himself sane, he started to build little grottos around tiny statues. He made tiny copies of the Holy sites in Jerusalem and eventually had enough to put together a miniature of the city. The monk had rarely travelled so he built his pieces from images on postcards. [I still send postcards – maybe somewhere, someone might put them to use. You know who you are.]

The Abbot of the monastery would have made Walt Disney proud. He soon cottoned on to the winner he had within his walls. He had great plans for an OTT religious grotto, carefully landscaped, meticulously made. Work began in 1932 in an abandoned quarry in the Abbey’s grounds and today, it’s visited by millions. It was one of the highlights of a memorable trip. Well worth a look if you’re in the vicinity.

Fast forward a few years, and I’m in the UK. I’d gone to meet my then-boyfriend who was on leave from the QEII. We ended up in Wimborne with its 1/10th scale model town. An idea that incubated during the 1940s, it opened to visitors in 1951. The buildings are made from concrete with beech windows. I still remember feeling like Gulliver as I wandered through the tiny streets, afraid to put a foot wrong lest I step on something or a little someone. All very real it was.  Another lovely memory. Another one worth a visit.

In Portugal recently, we happened across a third such marvel in the village of Sobreiro. Aldeia Tipicia (typical village) was the brainchild of potter José Franco who began work on this masterpiece in 1960. Driven to preserve the customs and crafts of Portugal, he wanted to replicate the old workshops and stores, the houses, and the communities that were all in danger of being swallowed up by progress. He also wanted a miniature village for kids, with working windmills and all sorts. Later he added a third part – an interactive children’s agricultural centre inside some castle-like walls. Franco died in 2009 leaving a legacy that,  like the others, and indeed like Miniversum here in Budapest, is still working its magic.

Because no matter what adult worries and concerns you might have going in, when you happen upon these miniature places, you can’t help but revert back to being a child. Rediscovering the open-mouthed child-like awe often jaded by cynicism is quite the experience. I found myself pointing and exclaiming like a kid on Christmas morning.

None of the visits was planned. But all happened when I needed some perspective. Someone up there is looking out for me. For this, and for the artists like Br Joseph and José Franco who made them possible, I’m truly grateful. Cost of entry: free. Recalibration: priceless.

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